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GOOD-BYE: CHITEN Raises a Toast to Dazai, Japan, and the Unresolved Past

Japanese Play in London
🔖 6 min read

Immerse yourself in the poignant world of CHITEN THEATRE COMPANY as they bring to life “GOOD-BYE,” a compelling theatrical production based on the works of renowned Japanese novelist Osamu Dazai. In this article, we will explore the intricacies of the Japanese Play in London, the creative minds behind its production, and the profound themes it explores.

The Story Unveiled

Step into a world shaped by post-World War II Japan, where CHITEN THEATRE COMPANY weaves a narrative inspired by Osamu Dazai’s 1949 masterpiece, “No Longer Human,” and a collage of his later works. Dazai’s own tragic end before completing “GOOD-BYE” sets the stage for a story where a man, contemplating his own demise, bids farewell to friends and past lovers in a mesmerizing and exhilarating manner. The production takes audiences on a feverish journey through the man’s life as a student, post-university, and during and after the war.

Setting the Stage

The backdrop for this captivating tale is a bar, with the live accompaniment of the Japanese rock band Kukangendai. Moreover, as the characters indulge in increasing intoxication. The play delves into the profound struggle to define Japanese identity in a world marked by traditional culture, globalization, and Americanization.

Motoi Miura – The Visionary Director

At the helm of this Japanese Play in London is Director Motoi Miura, whose creative prowess brings Dazai’s final novel to contemporary relevance. Miura’s vision seamlessly blends traditional Japanese culture with global influences, reflecting the evolving thought processes of modern Japan, from the kimono to rock and roll.

The Creative Ensemble

Japanese Play in London

The success of any theatrical production lies in the collective brilliance of its creative team. “GOOD-BYE” boasts a stellar cast, including Satoko Abe, Dai Ishida, Masaya Kishimoto, Shie Kubota, Asuka Kurosawa, Yohei Kobayashi, and Kazuki Masuda. The artistic vision comes to life through the expertise of Set Designer Itaru Sugiyama, Sound Designer Bunsho Nishikawa, Lighting Designer Yasuhiro Fujiwara, Costume Designer Colette Huchard, and Stage Manager Nobuaki Oshika.

Behind the Scenes – Yuna Tajima

Driving the production forward is Producer Yuna Tajima, with support from The Agency for Cultural Affairs, Government of Japan, through the Japan Arts Council. This collaboration ensures the play’s cultural richness is shared with audiences worldwide.

Performance Details

For those eager to witness this theatrical spectacle, performances are scheduled from Tue 05 to Sat 09 Mar 2024, at 7:30 pm in the Coronet Theatre. Ticket prices range from £20 to £40, with a 20% concession available on selected days for full-time education, Blue Light cardholders, and individuals receiving benefits. The play runs for 75 minutes, and audience members should be at least 14 years old due to references to alcohol abuse. Book your tickets here.

Exploring Dazai's Legacy Through "Good-Bye"

Exploring the Themes

“GOOD-BYE” grapples with the lingering impact of Japan’s defeat in World War II. Motoi Miura emphasizes the relevance of Dazai’s final novel, highlighting the unresolved sentiments stemming from the war. So the play seamlessly blends traditional Japanese elements with the forces of globalization and Americanization, providing a unique perspective on contemporary Japanese identity.

The Culture Unraveled

As the curtains rise, the audience is transported into a world where the clash of traditional and modern forces unfolds on stage. The setting in a bar becomes symbolic, mirroring societal spaces where individuals grapple with identity and the influence of external cultures.

Motoi Miura’s direction not only breathes life into Dazai’s narrative. But also elevates the production into a commentary on the collective consciousness of post-war Japan also the start of the golden era of Japanese cinema. The juxtaposition of live music by Kukangendai adds another layer of intensity. Thus creating an immersive experience that transcends the boundaries of traditional theatre.

Behind the Curtains – The Visionaries

Director Motoi Miura’s expertise lies in his ability to navigate complex narratives and present them in a visually compelling manner. His previous works have garnered acclaim for their innovative approach, and “GOOD-BYE” promises to be another feather in his cap.

The cast of this Japanese Play in London, is a harmonious blend of seasoned performers, ensures that each character is portrayed with depth and authenticity. Satoko Abe, Dai Ishida, Masaya Kishimoto, Shie Kubota, Asuka Kurosawa, Yohei Kobayashi, and Kazuki Masuda breathe life into Dazai’s characters. Surely offering the audience a glimpse into the intricacies of human relationships in the face of existential crises.

The Creative Minds at Work

The collaborative efforts of the creative team are crucial in crafting the visual and auditory elements of the play. Set Designer Itaru Sugiyama, Sound Designer Bunsho Nishikawa, Lighting Designer Yasuhiro Fujiwara,. Moreover costume Designer Colette Huchard, and Stage Manager Nobuaki Oshika collectively shape the ambiance and aesthetics of “GOOD-BYE,”. Ensuring a multisensory experience for the audience.

Japanese Play in London

Yuna Tajima’s Producer Insight

Yuna Tajima, the driving force behind the production, plays a pivotal role in bringing “GOOD-BYE” to the stage. Therefore with the support of The Agency for Cultural Affairs and the Japan Arts Council. So Tajima ensures that the cultural richness embedded in Dazai’s work is preserved and shared globally.

Performance Details – A Closer Look

The upcoming performances of “GOOD-BYE” Japanese Play in London promise to be an extraordinary experience for theatre enthusiasts. Taking place from March 5 to March 9, 2024, at 7:30 pm in the Auditorium, the play offers multiple opportunities for audiences to immerse themselves in its compelling narrative.

Ticket prices, ranging from £20 to £40, cater to diverse preferences. There is also a 20% concession on selected days that open the doors for students & Blue Light cardholders. The play’s runtime of 75 minutes strikes a balance between depth and brevity, ensuring that the audience remains engaged from start to finish.

Frequently Asked Questions – Your Queries Answered

Japanese Play in London

Q: Is “GOOD-BYE” suitable for all audiences?

Absolutely, while the play contains references to alcohol abuse, it offers a thought-provoking and culturally rich experience suitable for a diverse audience.

Q: How long is the performance?

The play has a running time of 75 minutes, ensuring a captivating yet concise theatrical experience.

Q: Can I purchase tickets online?

Certainly, tickets can be conveniently booked online through the official website or other authorized platforms.

Q: Are English subtitles available for non-Japanese speakers?

Indeed, “GOOD-BYE” is presented in Japanese with English subtitles, ensuring everyone can fully immerse themselves in the narrative.

Q: Are there discounts available for specific groups?

Indeed, discounts of 20% are available on selected days for those in full-time education, Blue Light cardholders, and individuals receiving benefits.

Q: How can I learn more about Osamu Dazai and his works?

Delve into the captivating literary world of Osamu Dazai by exploring his notable works, particularly”No Longer Human,” which inspired the play.

Japanese Play in London

Conclusion

CHITEN THEATRE COMPANY’s production of “GOOD-BYE” is a testament to the power of storytelling and the profound impact of theatre. Moreover, through meticulous direction, a talented ensemble, and a rich exploration of themes, this Japanese Play in London promises an unforgettable experience for audiences. So book your tickets now and embark on a journey that transcends time, culture, and the boundaries of the stage.

Chiten Theatre Company: Breaking Borders with Words and Sound

Imagine a theatre company that:

  • Takes bits and pieces of existing texts and crafts them into brand new performances.
  • Uses language like music, slowing down words to reveal their raw power.
  • Plays with different styles instead of sticking to one formula.
  • Tackles classics like Chekhov or Brecht, but also dives into experimental pieces.

That’s Chiten Theatre Company, led by director Motoi Miura. Based in Kyoto, they’re all about pushing boundaries and exploring new ways to tell stories.

Their secret weapon? A team of six dedicated actors, ready to tackle anything, from playing 30 roles in Shakespeare to performing the Japanese Constitution!

Chiten’s rehearsals are like wild improv sessions, constantly searching for fresh takes and challenging interpretations. Forget boring realism, this is theatre on the edge.

But who’s Miura, the mastermind behind it all?

He’s a director with a passion for international collaboration, having studied in Paris and even performing at Shakespeare’s Globe! He’s won awards, directed operas, and brought difficult plays to life onstage.

And the inspiration? Often, it’s Osamu Dazai, a legendary Japanese novelist.

Dazai’s stories, brimming with personal struggles and raw emotions, resonate deeply with Chiten’s artistic vision. They explore themes of human nature, mental health, and navigating a postwar world, just like Dazai did.

So, if you’re looking for a theatre that’s bold, innovative, and deeply human, come join Chiten on their journey. They’ll make you hear words in a whole new way.